Shakespeare

You do not know me, nor myself, and nothing at all. William Shakespeare All the last century, including in Russia, been written about Shakespeare's life – is, or jokes, or gossip, or speculation, or outright slander, its highest expression has found in the works of O. Wilde and E. Burgess, especially in the famous last filmed work. And yet, what in reality was a life of Shakespeare can imagine each and every person who has ever some time try to do what he did William Shakespeare.

Actually, this is a very simple and clear. Starting with a replica Warrick in the first scene of the third act of the second part chronicles "Henry IV, through all his works, including sonnets (And frankly most of Sonnet 11) William Shakespeare holds the idea that the truth of interdependent co-existence of elements of the past, present and future of each being and of being Mige people can and should make regular, interrelated, the practices of people leaving the conclusions. And those who are not able to come to this thought or not capable of understanding it, no matter how much they are, as noted by F. Villon, neither knew a lot of things others can not really know any of Shakespeare, neither, and nothing at all in being and being human. In addition, each and every person who tries this idea of Shakespeare in any way to turn to others to convey instantly feel that not only the "Denmark – a prison," but any other country, including Russia, too, and, in fact, the whole "civilized", including the scientific world. No wonder J. Holland, in the First Folio published in a sonnet by Shakespeare wrote the memory: If tragedies might any prologue have, All those he made would scarce make one to this; … Had one of the tragedies prologue, would lead to him all he could do …

That is, all the tragedies in the world are determined by the inability or unwillingness of people to understand what is understood by W. Shakespeare. But no less tragic and position of a person to understand what did and did William Shakespeare, especially if he is understanding, in turn, give people. So take a chance and go in the shoes of Shakespeare without tragic consequences for themselves can only be those who love the way he loved William Shakespeare, including all of its jailers. But again, those who have not been in the shoes of William Shakespeare, can not speak and write about his life and works have no choice but platitudes, banalities and slander.

Emergency Powers

The First World War of 1914-1918. Empire was proclaimed Kaiser Wilhelm II in accordance with Art. Alexa Demie recognizes the significance of this. 11 of the Constitution the German Empire in 1871 the Bundesrat (Federal Council) only had to give his subsequent consent. Kaiser, starting at assistance of the Bundesrat World War I, pursued, among others, and self-serving aims to strengthen its influence in Russia was declared gosudarstve.Voyna Germany August 1, 1914, and two days later, the corresponding memorandum was sent, and France. Reichstag approved the Law on Emergency Powers of the Government of August 4, 1914, adopted at the beginning of the war, in fact, introduced the country's military dictatorship and civil government authorities have the power to control raw materials and fuel, distribution and implementation of government military contracts. The situation worsened adopted on 5 December of the law on the redistribution of agricultural production in favor of the army and the subsequent reform of the scope of management of agriculture. In total, over a short period of follow-up was issued 825 emergency orders in the imperial war economy, currency and financial law, civil law, labor and social rights in the proceedings, which formed a vast bureaucratic legal system. Then in the constitutional and legal practice in Germany for the first time originated precedent appointment as Chancellor of the Federal political party representative, possessing the greatest weight and authority in the Reichstag. This has contributed to overall growth of political and legal power and authority Reichstag as the lower house of parliament, the Reichstag, and gradually became one of the key legislative organ of the German Empire.

Laser Harp (Laser Harp )

Laser Harp – perhaps one of the most unusual musical instruments. Unusual it is, because to extract the sound should not touch the instrument with his hands, but only overlap the laser beams coming out of it. Specialists workshop Deftaudio laser harp was developed for many months. As a basis, no doubt, were taken ideas of Jean Michel Jarre – the genius composer, who stood at the origins of electronic music, producer incredible light and laser shows. Initially there were a few samples of harp, various structurally and functionally. Andrey Kudryavtsev and Sergei Pavlov – engineers, designers of the studio – experienced in the making your ideal tool with many difficulties, largely the same – lack of spare parts.

As a result, search, test, test performances appeared that same laser harp, which is fully justified the effort of its creators. Thus, the laser harp from Deftaudio. This is a unique and a real tool for 8-rays. It uses an industrial laser to the true power of 300mW, the scanner scan performed on the basis of specialized stepper motor. Fully programmable and configurable. Informative display on the front panel lets you set individual notes of each beam and manage the operation of suppression algorithm pulsation.

I must say that the finished drawings and schemes of the tool does not exist. Around the world with enviable regularity enthusiasts are trying to repeat and repeat laser harp, but each has its own, it is not like the others. Laser Harp by Deftaudio one of its kind because it creates not just enthusiastic, and truly professional people with prmeneniem quality components and latest technology. About Deftaudio. Deftaudio – workshop on the development and production of unusual percussion and electronic musical instruments. These include models made with the use of sensory and contactless technology, as well as multi-touch surfaces.

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